Thought at 11:44pm February 11th, 2004

I’m very happy to see that Puretracks has chalked up one million downloads:

“The move comes as Puretracks — with a catalogue of more than 250,000 tracks — announced that it has crossed the one-million download threshold after roughly four months of operation. By comparison, Apple Computer Corp.’s iTunes service crossed the four-month mark with 10 million downloads, although that service’s U.S. customer base is also roughly 10 times the size of the comparable market in Canada.”

I would also note that Puretracks has Canada’s higher broadband penetration in its favor and greater proclivity to use file-sharing networks against it. So on the whole, Puretracks is doing at least as well as iTunes all things being equal. And given that they had a previously unknown brand while Apple had 20 years of headstart as a brand, I’d say they are doing pretty darn well.

Thought at 5:53pm October 28th, 2003

PaidContent.org: The Minced Meat Music Pie: RealNetworks’ Sean Ryan:

“[So if margins are not great, how do you make money?] You make money by subscriptions: it is a better business…it is a continual, annuity business. You bundle a la carte downloads on top of that. You don’t necessarily make money in any of those by themselves; you make money in total. For example, the assets we used to build Rhapsody are the same that power RadioPass, the free music experience, and the upcoming store. So we spread the work of encoding, of creating metadata, of taking credit cards etc across four different services, and then international services. So you start spreading your costs across different yet related products, and two, through distribution and marketing.”

This is a great interview with lots of insights for those interested in where online music is headed. Anyone who’s used Rhapsody knows that Sean Ryan “gets it”.

Thought at 9:22pm September 14th, 2003

Church of the Customer: Rip Van Record, Part II:

“Obviously, the Internet is the best channel to share knowledge; when intellectual capital is shared with multiple online networks, it can spread quickly to others who naturally gravitate toward it. (We call this ‘Napsterizing your knowledge.’) Sharing knowledge is not the end-game; it’s the marketing. The next level is finding value that enthusiasts will pay for. Like Bowie says, performing will become exponentially more important for musicians. We would add that maintaining strong relationships with fans — their customers — has never been more important for artists than it is today.”

Thought at 12:24am September 11th, 2003

CNET News.com: “P2P group: We’ll pay girl’s RIAA bill”

“P2P United, a peer-to-peer industry trade group that includes Grokster, StreamCast Networks, Limewire and other file-trading software companies, said Wednesday it had offered to reimburse Brianna Lahara and her mother’s payment to the Recording Industry Association of America. Lahara’s mother agreed Tuesday to settle copyright infringement charges on behalf of her daughter.”

Brianna could end up making a few dollars for a college education if this keeps up!