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Pauline Kael, Film Critic, Contrarian : The New Yorker
Kael was sensitive to the cultural atomization of the sixties, and saw the movies as a second chance for American art. Credit Illustration by Robert Risko In the fall of 1965, a season that brought movies as distinct as “Alphaville” and “Thunderball” to the screen, Pauline Kael came to dinner at…